![]() ![]() Two foundries (Seiler in Germany, Powderhall in Scotland) still produce faithfully accurate editions of the statue. One was even salvaged from a World War II Junkers 88 at the bottom of Lake Attersee (Austria). Gladenbeck editions of the statue are displayed at the Institute of Evolutionary Biology, University of Edinburgh, Aberdeen’s Medico-Chirurgical Society, the Boston Medical Library and the Medical Library of Queen’s University in Kingston, Ontario, and also in Calgary, Cottbus, Gloucester, Kerikeri, Munnekeburen, Oakville, Osaka, Oxford, Salem am Bodensee, Stevens Point, Vienna, and famously on Lenin’s desk in the Kremlin. The 30 cm full-size moulds disappeared with the closure of the Gladenbeck foundry, but Bildgießerei Seiler GmbH obtained the 13 cm Gladenbeck casting mould (Nr. Purchasing the rights to the statue, the foundry featured it as a bronze in their catalogue, and it became popular through its quirky originality. While debuting at the Große Berliner Kunstaustellung, the Affe mit Schädel became noticed by the Gladenbeck foundry (set up by Carl Gustav Hermann Gladenbeck in 1851). Hugo was sympathetic to Darwinian ideas but familiar with Goethe's Faust, where the same quote appears with a warning on the misuse of man's power of reason, the calipers being symbolic of the scientific method. ![]() ![]() The page on which the Book of Genensis quote eritis sicut deus (“You will be like God”) is written is torn with the second part Scientes bonum et malum ("knowing good from evil") lost. Hugo Rheinhold's original inscription " eritis sicut deus" (sometimes wrongly " eritus …."), either suggests Darwinian understanding may lead to Frankenstinian abuse of life's essence, or a more inclusive innocence that recognises a place for other advanced life‑forms on our intellectual podium, if only we can just accommodate those guests. ![]() That we should even consider this level of intelligence in another species is a bold examination of ourselves through eyes that bear witness to the disproportionate leverage historically awarded humankind. The ape is engaged in assessment and measurement (confirmed by the calipers). But, for Hugo Rheinhold's ape, it is something quite different. Furthermore, when a human is depicted holding a skull, it is usually a comment on mortality (see memento mori) and the inevitability of death famously, Hamlet bereaves Yorick in one instance, but is soon repulsed by this macabre souvenir as it brings him face-to-face with all life's grim destiny. With the ape's study, the library of books and the caliper instruments, the suggestion is the statue is warning against the application of rationalism in the absence of morality. The excised Biblical quote possibly suggests good and evil cannot be known, or told apart. It is perhaps surprising to discover that while Rodin had developed his statue as early as 1880, it was not cast into bronze and displayed until after the Affe mit Schädel had debuted. What inspired Rheinhold in making his sculpture is unknown, although it has obvious parallels with Auguste Rodin’s The Thinker. The book open at the feet and facing the viewer has a single inscription on the right hand page: " eritis sicut deus" from Genesis 3.5 when the serpent is enticing Eve to eat of the Tree of Knowledge of Good and Evil in the Garden of Eden against the Lord's command, promising "And ye shall be as God "), however the second half of this quote is missing, ripped from the lower half of the page. ![]()
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